During most of the nineteenth century, physicians and pharmacists alike considered medical patenting and the use of trademarks by drug manufacturers unethical forms of monopoly; physicians who prescribed patented drugs could be, and were, ostracized from the medical community. In the decades following the Civil War, however, complex changes in patent and trademark law intersected with the changing sensibilities of both physicians and pharmacists to make intellectual property rights in drug manufacturing scientifically and ethically legitimate. By World War I, patented and trademarked drugs had become essential to the practice of good medicine, aiding in the rise of the American pharmaceutical industry and forever altering the course of medicine.
           
Drawing on a wealth of previously unused archival material, Medical Monopoly combines legal, medical, and business history to offer a sweeping new interpretation of the origins of the complex and often troubling relationship between the pharmaceutical industry and medical practice today. Joseph M. Gabriel provides the first detailed history of patent and trademark law as it relates to the nineteenth-century pharmaceutical industry as well as a unique interpretation of medical ethics, therapeutic reform, and the efforts to regulate the market in pharmaceuticals before World War I. His book will be of interest not only to historians of medicine and science and intellectual property scholars but also to anyone following contemporary debates about the pharmaceutical industry, the patenting of scientific discoveries, and the role of advertising in the marketplace.

How the politics of “medical necessity” complicates American health care

The definition of medical necessity has morphed over the years, from a singular physician’s determination to a complex and dynamic political contest involving patients, medical companies, insurance companies, and government agencies. In this book, Daniel Skinner constructs a comprehensive understanding of the politics of defining this concept, arguing that sustained political engagement with medical necessity is essential to developing a health care system that meets basic public health objectives.

From medical marijuana to mental health to reproductive politics, the concept of medical necessity underscores many of the most divisive and contentious debates in American health care. Skinner’s close reading of medical necessity’s production illuminates the divides between perceptions of medical need as well as how the gatekeeper concept of medical necessity tends to frame medical objectives. He questions the wisdom of continuing to use medical necessity when thinking critically about vexing health care challenges, exploring the possibility that contracts, rights, and technology may resolve the contentious politics of medical necessity.

Skinner ultimately contends that a major shift is needed, one in which health care administrators, doctors, and patients admit that medical necessity is, at its base, a contestable political concept.

In Medicating Race, Anne Pollock traces the intersecting discourses of race, pharmaceuticals, and heart disease in the United States over the past century, from the founding of cardiology through the FDA's approval of BiDil, the first drug sanctioned for use in a specific race. She examines wide-ranging aspects of the dynamic interplay of race and heart disease: articulations, among the founders of American cardiology, of heart disease as a modern, and therefore white, illness; constructions of "normal" populations in epidemiological research, including the influential Framingham Heart Study; debates about the distinctiveness African American hypertension, which turn on disparate yet intersecting arguments about genetic legacies of slavery and the comparative efficacy of generic drugs; and physician advocacy for the urgent needs of black patients on professional, scientific, and social justice grounds. Ultimately, Pollock insists that those grappling with the meaning of racialized medical technologies must consider not only the troubled history of race and biomedicine but also its fraught yet vital present. Medical treatment should be seen as a site of, rather than an alternative to, political and social contestation. The aim of scholarly analysis should not be to settle matters of race and genetics, but to hold medicine more broadly accountable to truth and justice.

Mothers often know very little about the drugs they receive during pregnancy and even less about the drugs they consume during childbirth. The adverse fetal effects of drugs—whether prescription or over-the-counter—and the information mothers receive from the drug and medical communities about those drugs are shown in this International Academy for Research in Learning Disabilities monograph. The research for the study presented in Medication in Maternity included 602 mothers, and as such must be seen as a significant contribution to the field of neonatology in general and to learning disabilities specifically. The authors' findings indicate that many infants are exposed to prenatal and during-birth drugs that could cause learning difficulties or have other toxic effects, and that mothers are rarely told what drugs they are taking or how those drugs could harm their child.

In this encyclopedia of North American ethnobotany, thousands of native plants are organized by family, genus, use (illness), tribal culture, and common name. Foreword by Richard I. Ford.

“A work of great breadth, originality, and distinction.  Rarely do we see such a successful marriage between historical demography and the history of medicine.  The interconnections between population increase, migration and immigration on the one hand, and disease and the development of medicine on the other in antebellum America are brilliantly presented.”—Irvine Loudon, Bulletin of the History of Medicine
 

Widely regarded as the most comprehensive study of its kind, this volume offers valuable insight into the alleged medical differences between whites and blacks that translated as racial inferiority and were used to justify slavery and discrimination.

In Medicine and Slavery, Todd L. Savitt evaluates the diet, hygiene, clothing, and living and working conditions of antebellum African Americans, slave and free, and analyzes the diseases and health conditions that afflicted them in urban areas, at industrial sites, and on plantations.
 

In this revised and expanded edition of Medicine Stories, Aurora Levins Morales weaves together insights and lessons learned over a lifetime of activism to offer a new theory of social justice. Calling for a politics of integrity that recognizes the complicated wholeness of individual and collective lives, Levins Morales delves among the interwoven roots of multiple oppressions, exposing connections, crafting strategies, and uncovering the wellsprings of resilience and joy. Throughout these twenty-eight essays—twenty-one of which are new or extensively revised—she exposes the structures and mechanisms that silence voices and divide movements. The result is a medicine bag full of techniques and perspectives to build a universal solidarity that is flexible, nuanced, and strong enough to fundamentally shift our world toward justice. Intimately personal and globally relevant, Medicine Stories brings clarity and hope to tangled, emotionally charged social issues in beautiful and accessible language.

“I realize that I am a soldier of production whose duties are as important in this war as those of the man behind the gun.” So began the pledge that many home front men took at the outset of World War II when they went to work in the factories, fields, and mines while their compatriots fought in the battlefields of Europe and on the bloody beaches of the Pacific. The male experience of working and living in wartime America is rarely examined, but the story of men like these provides a crucial counter-narrative to the national story of Rosie the Riveter and GI Joe that dominates scholarly and popular discussions of World War II.

In Meet Joe Copper, Matthew L. Basso describes the formation of a powerful, white, working-class masculine ideology in the decades prior to the war, and shows how it thrived—on the job, in the community, and through union politics. Basso recalls for us the practices and beliefs of the first- and second-generation immigrant copper workers of Montana while advancing the historical conversation on gender, class, and the formation of a white ethnic racial identity. Meet Joe Copper provides a context for our ideas of postwar masculinity and whiteness and finally returns the men of the home front to our reckoning of the Greatest Generation and the New Deal era.

The baby is screaming again. My baby. I hoist her off the narrow hotel bed--again--and try to cradle her as I rock my torso back and forth in an uncomfortable straight-backed chair.

This baby does not cradle. She doesn't know how to cuddle, to be soothed in anyone's arms. She howls and arches away, squirms and flops, a sixteen-pound fish out of water. I'm not used to holding babies, and she's not used to be being held, but when I try to put her down, she wails. My arms feel chafed, raw, and my wrists ache from the hours of straining to hang on to her.

Huge tears pool in her eyes. These tears could break my heart. These screams could break my eardrums.

Imagine that you are an average American man. You work hard and love football. Your present is a highway of unbounded opportunity, your future a far horizon unclouded by doubt. Then comes middle age. Who can you look to when the highway begins to crack, when opportunity shrinks to the size of a cubicle, and the horizon looms close? For Richard J. King, the answer is clear: Tom Brady. The legendary quarterback of the New England Patriots is not just a four-time Super Bowl champion, three-time MVP, and certain Hall of Famer. He is a male epitome. Gifted but humble. Driven but balanced. Aging but youthful. Devoted to both career and family. At the pinnacle of success but somehow still one of us. If anyone can point the way to living a worthy life, Tom Brady can. And so, at the start of the 2013 football season, King sets off in an ’88 Volkswagen minibus in a time-honored quest to answer life’s pressing questions—and to meet his hero. From training camp to the playoffs, from Spy-gate to Deflate-gate, King takes us on a tour of stadiums and bars across the country. Along the way he talks with players, sportswriters, and Patriots management, and poses the existential question, “What would you ask Tom Brady?” Meeting Tom Brady is funny and wise, a memoir of an eventful season in both King’s life and Brady’s—a determined pursuit, with uncertain results.

The Passion of the Christ was an extraordinary media event. But the film has also, and more importantly, been a religious phenomenon. Mel Gibson's professed intent was to create not just a cinematic experience but a spiritual one. And he has succeeded for many moviegoers, most notably evangelical Christians, of whom millions have embraced the film as a presentation of Holy Scripture, a twenty-first century incarnation of the Word.

In this volume, biblical scholars Timothy K. Beal and Tod Linafelt—along with an esteemed group of contributors—offer a provocative range of views on The Passion of the Christ. Their book is organized in three parts. The first analyzes the film in terms of its religious foundations, including the Gospels and nonbiblical religious texts: What are the film's literary sources and how does it use them? In what ways does the medium of film require a radically different way of representing gospel narrative? The second group of essays focuses on the ethical and theological implications of the film's presentation of the Christian gospel: What do we make of its representations of female sexuality? What are the implications of focusing on the Passion in terms of atonement rather than social justice? Finally, the third section explores the film as a pop cultural phenomenon: How has the film worked to create a sense of insider status for some and alienated so many others? What can we learn about the religious dimensions of contemporary mass culture from the film's reception?

Whether one is inspired or appalled by The Passion of the Christ, there can be no question that it is a defining moment in the cultural afterlife of the Bible. This volume tries to make sense of that moment and will prove to be a touchstone for adherents and detractors of the film alike.

In January 1978, President Jimmy Carter proclaimed that “There is all across our land a growing sense of peace and a sense of common purpose.” Yet in the ensuing months, a series of crises disturbed that fragile sense of peace, ultimately setting the stage for Reagan’s decisive victory in 1980 and ushering in the final phase of the Cold War. 
 
Meltdown Expected tells the story of the power shifts from late 1978 through 1979 whose repercussions are still being felt. Iran’s revolution led to a hostage crisis while neighbouring Afghanistan became the site of a proxy war between the USSR and the US, who supplied aid to Islamic mujahideen fighters that would later form the Taliban. Meanwhile, as tragedies like the Jonestown mass suicide and the assassination of Harvey Milk captured the nation’s attention, the government quietly reasserted and expanded the FBI’s intelligence powers. Drawing from recently declassified government documents and covering everything from Three Mile Island to the rise of punk rock, Aaron J. Leonard paints a vivid portrait of a tumultuous yet pivotal time in American history. 
 

Just five years after a Soviet missile blew a civilian airliner out of the sky over the North Pacific, an Alaska Airlines jet braved Cold War tensions to fly into tomorrow. Crossing the Bering Strait between Alaska and the Russian Far East, the 1988 Friendship Flight reunited Native peoples of common languages and cultures for the first time in four decades. It and other dramatic efforts to thaw what was known as the Ice Curtain launched a thirty-year era of perilous, yet prolific, progress.

Melting the Ice Curtain tells the story of how inspiration, courage, and persistence by citizen-diplomats bridged a widening gap in superpower relations. David Ramseur was a first-hand witness to the danger and political intrigue, having flown on that first Friendship Flight, and having spent thirty years behind the scenes with some of Alaska’s highest officials. As Alaska celebrates the 150th anniversary of its purchase, and as diplomatic ties with Russia become perilous, Melting the Ice Curtain shows that history might hold the best lessons for restoring diplomacy between nuclear neighbors.

Melville Biography: An Inside Narrative is Hershel Parker’s history of the writing of Melville biographies, enriched by a lifetime of intimate working partnerships with great Melville scholars of different generations and by the author’s experience of successive phases of literary criticism. Throughout this bold book, Hershel Parker champions archival-based biography and the all-but-lost art of embodying such scholarship in literary criticism. First is a mesmerizing autobiographical account of what went into creating the award-winning and comprehensive  Herman Melville: A Biography. Then Parker traces six decades of the “unholy war” waged against biographical scholarship, in which critics repeatedly imposed the theory of organic unity on Melville’s disrupted life—not just on his writings—while truncating his body of work and ignoring his study of art and aesthetics. In this connection, Parker celebrates discoveries made by “divine amateurs,” before throwing open his workshop to challenge ambitious readers with research projects. This is a book for Melville fans and Parker fans, as well as for readers, writers, and would-be writers of biography.

In 1951 Gaines Post was a gangly, bespectacled, introspective teenager preparing to spend a year in Paris with his professorial father and older brother; his mother, who suffered from extreme depression, had been absent from the family for some time. Ten years later, now less gangly but no less introspective, he was finishing a two-year stint in the army in West Germany and heading toward Oxford on a Rhodes scholarship, having narrowly escaped combat in the Berlin crisis of 1961. His quietly intense coming-of-age story is both self-revealing and reflective of an entire generation of young men who came to adulthood before the Cuban Missile Crisis and the Vietnam War.

Post's experiences in high school in Madison, Wisconsin, and Paris, his Camus-influenced undergraduate years at Cornell University, and his army service in Germany are set very effectively against the events of the Cold War. McCarthyism and American crackdowns on dissidents, American foreign and military policy in Western Europe in the nuclear age, French and German life and culture, crises in Paris and Berlin that nearly bring the West to war and the Post family to dissolution—these are the larger scenes and subjects of his self-disclosure as a contemplative, conflicted "Cold War agnostic."

His intelligent, talented mother and her fragile health hover over Post's narrative, informing his hesitant relationships with women and his acutely questioning sense of self-worth. His story is strongly academic and historical as well as political and military; his perceptions and judgments lean toward no ideological extreme but remain true to the heroic ideals of his boyhood during the Second World War.

In this witty and modest intellectual autobiography, George J. Stigler gives us a fascinating glimpse into the little-known world of economics and the people who study it. One of the most distinguished economists of the twentieth century, Stigler was awarded the Nobel Prize in 1982 for his work on public regulation. He also helped found the Chicago School of economics, and many of his fellow Chicago luminaries appear in these pages, including Fredrich Hayek, Milton Friedman, Ronald Coase, and Gary Becker. Stigler's appreciation for such colleagues and his sense of excitement about economic ideas past and present make his Memoirs both highly entertaining and highly educational.

This new “Reader’s Edition” of Harry Truman’s memoirs removes the overload of detail and reproduced historical documents, reduces the bloated cast of characters, clarifies the often confusing balance between chronological and thematic presentation, and corrects some important problems of presentation that made the two volumes of Truman’s memoirs, published in 1955 and 1956, difficult to read and enjoy.  This new edition, reduced to half the length of the original text, offers a new generation of readers the thrill of hearing the unique and authentic voice of Harry S. Truman, probably the most important president of the last seventy-five years, telling the story of his life, his presidency, and some of the most important years in American history.

Contains much valuable information and engaging narrative passages

Memoirs of the Civil War, though relatively little known because of its rarity in the original edition, contains much valuable information and engaging narrative passages. A Virginian whose Confederate career included service in an infantry regiment early in the war, Chamberlaine’s most important military service was as a staff officer attached to Brigadier General Reuben Lindsay Walker, who commanded the Third Corps artillery in the Army of Northern Virginia.

Includes excellent material on the duties of staff officers, operation of Confederate conscription, and the role of artillery in Lee’s campaigns. He is especially eloquent and revealing about a number of famous battles: the Seven Days; Antietam, where Chamberlaine distinguished himself and was wounded; and the Wilderness, where he had a memorable encounter with Lee.

Philadelphia native Wendell W. Young III was one of the most important American labor leaders in the last half of the twentieth century. An Acme Markets clerk in the 1950s and ’60s, he was elected top officer of the Retail Clerks Union when he was twenty-four. His social justice unionism sought to advance wages while moving beyond collective bargaining to improve the conditions of the working-class majority, whether in a union or not. Young quickly gained a reputation for his independence, daring at times to publicly criticize the policies of the city’s powerful AFL-CIO leadership and tangle with the city’s political machine.

Editor Francis Ryan, whose introduction provides historical context, interviewed Young about his experiences working in the region’s retail and food industry, measuring the changes over time and the tangible impact that union membership had on workers. Young also describes the impact of Philadelphia’s deindustrialization in the 1970s and ’80s and recounts his activism for civil rights and the anti-war movements as well as on John F. Kennedy’s presidential campaign. 

The Memoirs of Wendell W. YoungIII  provides the most extensive labor history of late twentieth-century Philadelphia yet written.

In the past few decades, thousands of new memorials to executed witches, victims of terrorism, and dead astronauts, along with those that pay tribute to civil rights, organ donors, and the end of Communism have dotted the American landscape. Equally ubiquitous, though until now less the subject of serious inquiry, are temporary memorials: spontaneous offerings of flowers and candles that materialize at sites of tragic and traumatic death. In Memorial Mania, Erika Doss argues that these memorials underscore our obsession with issues of memory and history, and the urgent desire to express—and claim—those issues in visibly public contexts.

Doss shows how this desire to memorialize the past disposes itself to individual anniversaries and personal grievances, to stories of tragedy and trauma, and to the social and political agendas of diverse numbers of Americans. By offering a framework for understanding these sites, Doss engages the larger issues behind our culture of commemoration. Driven by heated struggles over identity and the politics of representation, Memorial Mania is a testament to the fevered pitch of public feelings in America today.

Few know the name Anna Jarvis, yet on the second Sunday in May, we mail the card, buy the flowers, place the phone call, or make the brunch reservation to honor our mothers, all because of her. 

Anna Jarvis organized the first official Mother’s Day celebration in Grafton, West Virginia in 1908 and then spent decades promoting the holiday and defending it from commercialization. She designed her Mother’s Day celebration around a sentimental view of motherhood and domesticity, envisioning a day venerating the daily services and sacrifices of mothers within the home.

     After Mother’s Day became a national holiday in 1914, many organizations sought to align the holiday’s meaning with changing perceptions of modern motherhood in the twentieth century. Instead of restricting a mother’s service and influence solely to the domestic sphere, they emphasized the power of mothers both within their homes and throughout their communities. 

     Jarvis refused to accept this changing interpretation, claiming both intellectual and legal ownership of Mother’s Day. Her obsession with protecting the purity of her vision sustained a war of verbal and legal assaults against rival holiday promoters, patriotic women’s organizations, charitable foundations, public health reformers, and the Franklin D. Roosevelt administration. The struggle for control of Mother’s Day ultimately threatened her livelihood, physical health, and emotional stability. 

Memorializing Motherhood explores the complicated history of Anna Jarvis’s movement to establish and control Mother’s Day, as well as the powerful conceptualization of this day as both a holiday and a cultural representation of motherhood.

Memorializing Pearl Harbor examines the challenge of representing history at the site of the attack that brought America into World War II. Analyzing moments in which history is re-presented—in commemorative events, documentary films, museum design, and educational programming—Geoffrey M. White shows that the memorial to the Pearl Harbor bombing is not a fixed or singular institution. Rather, it has become a site in which many histories are performed, validated, and challenged. In addition to valorizing military service and sacrifice, the memorial has become a place where Japanese veterans have come to seek recognition and reconciliation, where Japanese Americans have sought to correct narratives of racial mistrust, and where Native Hawaiians have challenged their ongoing erasure from their own land. Drawing on extended ethnographic fieldwork, White maps these struggles onto larger controversies about public history, museum practices, and national memory.

From the seventeenth century into the nineteenth, thousands of Madagascar’s people were brought to American ports as slaves. In Memories of Madagascar and Slavery in the Black Atlantic, Wendy Wilson-Fall shows that the descendants of these Malagasy slaves in the United States maintained an ethnic identity in ways that those from the areas more commonly feeding the Atlantic slave trade did not. Generations later, hundreds, if not thousands, of African Americans maintain strong identities as Malagasy descendants, yet the histories of Malagasy slaves, sailors, and their descendants have been little explored.

Wilson-Fall examines how and why the stories that underlie this identity have been handed down through families—and what this says about broader issues of ethnicity and meaning-making for those whose family origins, if documented at all, have been willfully obscured by history.

By analyzing contemporary oral histories as well as historical records and examining the conflicts between the two, Wilson-Fall carefully probes the tensions between the official and the personal, the written and the lived. She suggests that historically, the black community has been a melting pot to which generations of immigrants—enslaved and free—have been socially assigned, often in spite of their wish to retain far more complex identities. Innovative in its methodology and poetic in its articulation, this book bridges history and ethnography to take studies of diaspora, ethnicity, and identity into new territory.

Wallace Fowlie is known to three generations of students at Duke University for his course in Proust. His observations on the changing interests of college students (Bob Dylan to Jim Morrison, Fellini to Pasolini) are part of this fourth memoir. In Memory, Fowlie brings us once more into his broad range of vision as he examines the offerings of memory, more real to him he tells us than the town in which he now lives. the reader follows his search for words, his early more mystical search for a father-son relationship, his remembering of the small acts that determine life.

For decades, artists and architects have struggled to relate to the Holocaust in visual form, resulting in memorials that feature a diversity of aesthetic strategies. In Memory Passages, Natasha Goldman analyzes both previously-overlooked and internationally-recognized Holocaust memorials in the United States and Germany from the postwar period to the present, drawing on many historical documents for the first time. From the perspectives of visual culture and art history, the book examines changing attitudes toward the Holocaust and the artistic choices that respond to it.

The book introduces lesser-known sculptures, such as Nathan Rapoport’s Monument to the Six Million Jewish Martyrs in Philadelphia, as well as internationally-acclaimed works, such as Peter Eisenman’s Memorial to the Murdered Jews of Europe in Berlin. Other artists examined include Will Lammert, Richard Serra, Joel Shapiro, Gerson Fehrenbach, Margit Kahl, and Andy Goldsworthy.Archival documents and interviews with commissioners, survivors, and artists reveal the conversations and decisions that have shaped Holocaust memorials.

Memory Passages suggests that memorial designers challenge visitors to navigate and activate spaces to engage with history and memory by virtue of walking or meandering. This book will be valuable for anyone teaching—or seeking to better understand—the Holocaust.

Memphis Hoops tells the story of basketball in Tennessee’s southwestern-most metropolis following the 1968 assassination of Martin Luther King Jr. Keith Brian Wood examines the city through the lens of the Memphis State University basketball team and its star player-turned-coach Larry Finch. Finch, a Memphis native and the first highly recruited black player signed by Memphis State, helped the team make the 1973 NCAA championship game in his senior year. In an era when colleges in the south began to integrate their basketball programs, the city of Memphis embraced its flagship university’s shift toward including black players. Wood interjects the forgotten narrative of LeMoyne-Owen’s (the city’s HBCU) 1975 NCAA Division III National Championship team as a critical piece to understanding this era. Finch was drafted by the Lakers following the 1973 NCAA championship but instead signed with the American Basketball Association’s Memphis Tams. After two years of playing professionally, Finch returned to the sidelines as a coach and would eventually become the head coach of the Memphis State Tigers.

Wood deftly weaves together basketball and Memphis’s fraught race relations during the post–civil rights era. While many Memphians viewed the 1973 Tigers’ championship run as representative of racial progress, Memphis as a whole continued to be deeply divided on other issues of race and civil rights. And while Finch was championed as a symbol of the healing power of basketball that helped counteract the city’s turbulence, many black players and coaches would discover that even its sports mirrored Memphis’s racial divide. Today, as another native son of Memphis, Penny Hardaway, has taken the reigns of the University of Memphis’s basketball program, Wood reflects on the question of progress in the city that saw King’s assassination little more than forty years ago.

In this important examination of sports and civil rights history, Wood summons social memory from an all-too-recent past to present the untold—and unfinished—story of basketball in the Bluff City.

Fatherhood is evolving in America. Stay at home dads are becoming more commonplace; men are becoming more visible in domestic, caregiving activities. In Men Can, writer, teacher, and father Donald Unger uses his personal experiences, stories of real-life families, as well as representations of fathers in film, on television, and in advertising, to illuminate the role of men in the increasingly fluid domestic sphere.

In thoughtful interviews, Don Unger tells the stories of a half dozen families—of varied ethnicities, geographical locations, and philosophical orientations—in which fathers are either primary or equally sharing parents, personalizing what is changing in how Americans care for their children. These stories are complemented by a discussion of how the language of parenting has evolved and how media representations of fathers have shifted over several decades.   

Men Can shows how real change can take place when families divide up domestic labor on a gender-neutral basis.  The families whose stories he tells offer insights into the struggles of—and opportunities for—men caring for children. When it comes to taking up the responsibility of parenting, his argument, ultimately, is in favor of respecting personal choices and individual differences, crediting and supporting functional families, rather than trying to force every household into a one-size-fits-all mold. 

While the 1950s have been popularly portrayed-on television and in the movies and literature-as a conformist and conservative age, the decade is better understood as a revolutionary time for politics, economy, mass media, and family life. Magazines, films, newspapers, and television of the day scrutinized every aspect of this changing society, paying special attention to the lifestyles of the middle-class men and their families who were moving to the suburbs newly springing up outside American cities. Much of this attention focused on issues of masculinity, both to enforce accepted ideas and to understand serious departures from the norm. Neither a period of "male crisis" nor yet a time of free experimentation, the decade was marked by contradiction and a wide spectrum of role models. This was, in short, the age of Tennessee Williams as well as John Wayne.

In Men in the Middle, James Gilbert uncovers a fascinating and extensive body of literature that confronts the problems and possibilities of expressing masculinity in the 1950s. Drawing on the biographies of men who explored manhood either in their writings or in their public personas, Gilbert examines the stories of several of the most important figures of the day-revivalist Billy Graham, playwright Tennessee Williams, sociologist David Riesman, sex researcher Alfred Kinsey, Playboy literary editor Auguste Comte Spectorsky, and TV-sitcom dad Ozzie Nelson-and allows us to see beyond the inherited stereotypes of the time. Each of these stories, in Gilbert's hands, adds crucial dimensions to our understanding of masculinity the 1950s. No longer will this era be seen solely in terms of the conformist man in the gray flannel suit or the Marlboro Man.

Originally published in 1968, this classic work by renowned archaeologist Neil M. Judd is a compilation of recollections and memories of his extensive career in archaeology. The stories told are truly those of “Men Met Along the Trail,” of the archaeologists, Mormons, Indians, prospectors, ranchers, and settlers that Judd encountered in his lifelong travels and work throughout the southwestern United States and beyond. There are meetings with leading American archaeologists such as “Dean” Byron Cummings, W. H. Holmes, and Charles D. Wallace, and famous Southwestern figures including Cass Hite, Dave Rust, and John Wetherill. Throughout are tales of early field work and typical camp life, from flooded canyons, run-ins with rattlesnakes, cumbersome pack trains, and early Model T Fords, to camp pranks, food shortages, and Zuñi dance celebrations.

Written at the request of young associates who felt Judd’s lifetime of experiences in the field could be both instructive and amusing, Men Met Along the Trail provides a glimpse of archaeology when it was an emerging field of study, evolving from simple curio collecting to technologically advanced radiocarbon dating and pollen analysis. Featuring more than thirty original photographs and a new foreword by Don D. Fowler, this book is entertaining and informative, offering readers a vibrant and colorful picture of the adventures to be found in early Southwestern archaeology.

In Men, Mobs, and Law, Rebecca N. Hill compares two seemingly unrelated types of leftist protest campaigns: those intended to defend labor organizers from prosecution and those seeking to memorialize lynching victims and stop the practice of lynching. Arguing that these forms of protest are related and have substantially influenced one another, Hill points out that both worked to build alliances through appeals to public opinion in the media, by defining the American state as a force of terror, and by creating a heroic identity for their movements. Each has played a major role in the history of radical politics in the United States. Hill illuminates that history by considering the narratives produced during the abolitionist John Brown’s trials and execution, analyzing the defense of the Chicago anarchists of the Haymarket affair, and comparing Ida B. Wells’s and the NAACP’s anti-lynching campaigns to the Industrial Workers of the World’s early-twentieth-century defense campaigns. She also considers conflicts within the campaign to defend Sacco and Vanzetti, chronicles the history of the Communist Party’s International Labor Defense, and explores the Black Panther Party’s defense of George Jackson.

As Hill explains, labor defense activists first drew on populist logic, opposing the masses to the state in their campaigns, while anti-lynching activists went in the opposite direction, castigating “the mob” and appealing to the law. Showing that this difference stems from the different positions of whites and Blacks in the American legal system, Hill’s comparison of anti-lynching organizing and radical labor defenses reveals the conflicts and intersections between antiracist struggle and socialism in the United States.

Swindler. Murderer. Scoundrel.

Robert Boatright was one of Middle America’s greatest confidence men. Although little remembered today, his story provides a rare glimpse into America’s criminal past. Working in concert with a local bank and an influential Democratic boss, “this dean of modern confidence men” and his colorful confederacy of con men known as the Buckfoot Gang seemed untouchable. A series of missteps, however, led to a string of court cases across the country that brought Boatright’s own criminal enterprise to an end. And yet, the con continued: Boatright’s successor, John C. Mabray, and his cronies, many of whom had been in the Buckfoot Gang, preyed upon victims across North America in one of the largest midwestern criminal syndicates in history before they were brought to heel.

Like the works of Sinclair Lewis, Boatright’s story exposes a rift in the wholesome midwestern stereotype and furthers our understanding of nineteenth- and twentieth-century American society.

In Men without Maps, John Ibson uncovers the experiences of men after World War II who had same-sex desires but few affirmative models of how to build identities and relationships. Though heterosexual men had plenty of cultural maps—provided by nearly every engine of social and popular culture—gay men mostly lacked such guides in the years before parades, organizations, and publications for queer persons. Surveying the years from shortly before the war up to the gay rights movement of the late 1960s and early ’70s, Ibson considers male couples, who balanced domestic contentment with exterior repression, as well as single men, whose solitary lives illuminate unexplored aspects of the queer experience. Men without Maps shows how, in spite of the obstacles they faced, midcentury gay men found ways to assemble their lives and senses of self at a time of limited acceptance.

Long famous as a political, social, and cultural gadfly, journalist and essayist H. L. Mencken was unafraid to speak his mind on controversial topics and to express his views in a deliberately provocative manner.

Mencken was prolific; much of his best work lies buried in the newspapers and magazines in which it originally appeared. Mencken’s America is a sampling of this uncollected work, arranged to present the wide-ranging treatise on American culture that Mencken himself never wrote.

The core of the book is a series of six articles on “The American” published in the Smart Set in 1913-14. Never before reprinted, they embody the essence of Mencken’s views on the deficiencies of his countrymen.

What was the problem with America? For Mencken, it could be summed up in one word: Puritanism. Puritanism accounted for much that was wrong with American culture: the prevalence of “militant morality” represented by Prohibition, by campaigns against prostitution, and by religious fundamentalism. American hostility toward the fine arts led to furious attempts to suppress any work of art that was thought to contravene conventional morality-attempts that Mencken chronicles with impressive scholarship in the essay “Puritanism as a Literary Force.”

Mencken reserved his greatest scorn for American political institutions. Opposed to the very principle of democracy and universal suffrage, he maintained that, in the absence of an educated electorate, all politicians are compelled to become demagogues.

Bracing, infuriating, and pungent, H. L. Mencken’s writings retain their relevance even after the passage of nearly a hundred years, cogently discussing issues with which Americans of the twenty-first century are still wrestling. Sagaciously edited by S. T. Joshi, one of the country’s foremost Mencken scholars, Mencken’s America is a superb example of America’s turning the looking glass on itself.

Archaeologists identify the Menomini as descendants of the Middle Woodland Indians, who flourished in the area for thousands of years before the first Europeans arrived. According to Menomini legend, their people emerged from the ground near the mouth of the Menominee River. It was along that river that Sieur Jean Nicolet first encountered the Menomini in 1634.
    The Menomini, a peaceful people, lived by farming, hunting, fishing, and gathering wild rice. Perhaps because of their peaceful nature their name was not generally found in the white military annals, and they were largely unknown until 1892, when Walter James Hoffman published a detailed ethnographic account of them.
    Felix Keesing's classic 1939 work on the Menomini is one of the most detailed, authoritative, and useful accounts of their history and culture. It superseded Hoffman's earlier work because of Keesing's modern methods of research. This work was among the first monographs on an American Indian people to employ a model of acculturation, and it is also an excellent early example of what is now called ethnohistory. It served as a model of anthropological research for decades after its publication.
    Keesing's work, reprinted in this new Wisconsin edition, will continue to serve as a comprehensive introduction for the general reader, a book respected by both anthropologists and historians, and by the Menomini themselves. It is still the most important study of Menomini life up until 1939.

"With classic butch finesse---that handsome combination of vulnerability and toughness---Peggy Shaw pieces together the challenges of growing up butch in the 1950s. Shaw is an engaging performer and inspired writer."
---Gay Community News

Obie-award-winning performer and writer Peggy Shaw has been playing her gender-bending performances on Off Broadway, regional, and international stages for three decades. Co-founder of the renowned troupe Split Britches, Shaw has gone on to create memorable solo performances that mix achingly honest introspection with campy humor, reflecting on everything from her Irish-American working-class roots to her aging butch body.

This collection of Shaw's solo performance scripts evokes a 54-year-old grandmother who looks like a 35-year-old man (in her classic Menopausal Gentleman); a mother's ambivalent ministrations to a daughter she treated like a son (in the raw You're Just Like My Father); Shaw's love for her biracial grandson, for whom she models masculinity (in the musically punctuated To My Chagrin); and a mapping of her body's long, bittersweet history (in the lyrical Must: The Inside Story, a collaboration with the UK's Clod Ensemble). The book also includes a selection of Shaw's other classic monologues and an extensive introduction by Jill Dolan, Professor of English and Theater and Dance at Princeton University and the blogger behind The Feminist Spectator website.

A volume in the series Triangulations: Lesbian/Gay/Queer Theater/Drama/Performance
Cover photos by Eva Weiss (top) and Robin Holland/robinholland.com (bottom).

The first major Jewish poet in America and a key figure of the Objectivist movement, Charles Reznikoff was a crucial link between the generation of Pound and Williams, and the more radical modernists who followed in their wake. A Menorah for Athena, the first extended treatment of Reznikoff's work, appears at a time of renewed interest in his contribution to American poetry.

Stephen Fredman illuminates the relationship of Jewish intellectuals to modernity through a close look at Reznikoff's life and writing. He shows that when we regard the Objectivists as modern Jewish poets, we can see more clearly their distinctiveness as modernists and the reasons for their profound impact upon later poets, such as Allen Ginsberg and Charles Bernstein. Fredman also argues that to understand Reznikoff's work more completely, we must see it in the context of early, nonsectarian attempts to make the study of Jewish culture a force in the construction of a more pluralistic society. According to Fredman, then, the indelible images in Reznikoff's poetry open a window onto the vexed but ultimately successful entry of Jewish immigrants and their children into the mainstream of American intellectual life.

College sports have provided a compelling means to discuss issues regarding racial equality and fairness in American life. As previously-white institutions of higher learning gradually (and grudgingly) opened their playing fields to African-American athletes in men's basketball and football, black and white spectators interpreted mixed-race team sports in often contradictory ways. In Men's College Athletics and the Politics of Racial Equality, Gregory Kaliss offers stunning insights into Americans' contested visions of equality, fairness, black manhood, citizenship, and an equal opportunity society.

Kaliss looks at Paul Robeson, Jackie Robinson, Wilt Chamberlain, Charlie Scott, John Mitchell, Wilbur Marshall, and Bear Bryant to show how Americans responded to racial integration over time. Men's College Athletics and the Politics of Racial Equality reveals that as fans, media members, university students, faculty, and administration—black and white—discussed the achievements and struggles of these athletes, they inevitably talked about much more than what occurred on the field.

A barrage of "handbooks" and "resource manuals" aimed at employers and legal practitioners on the employment rights of people with disabilities has begun to appear. Until now, however, there has been no serious book-length scholarly treatment of how mental disorder can affect work, how work can affect mental disorder, and the role of law in addressing employment discrimination based on mental rather than physical disability. In Mental Disorder, Work Disability and the Law, the editors bring together original work by leading scholars who have studied mental disorder and work disability from the fields of sociology, psychology, psychiatry, law, and economics. The authors' contributions build upon one another to create the first integrated account of the important policy issues at stake when law deals with the rights of mentally disordered citizens to work when they are able to, and to receive benefits when they are not.

This book will be of great value to scholars in law and the mental health professions and to policy makers and the administrators of disability programs.

The essays in this volume discuss racism and sexism as they affect mental health. In particular, they focus on training, diagnosis, treatment, and research, emphasizing the power relationships between individuals and groups that cause unequal access to mental health care. They offer perspectives on issues and their distinct effects on mental health: interracial adoptions, teenage motherhood, gender bias in mental health diagnosis and therapy, prisons used as substitutes for hospitals, homeless families, and increasing violence- in the home, on college campuses, and in the streets.

One of the most influential choreographers of the twentieth century, Merce Cunningham is known for introducing chance to dance. Far too often, however, accounts of Cunningham’s work have neglected its full scope, focusing on his collaborations with the visionary composer John Cage or insisting that randomness was the singular goal of his choreography. In this book, the first dedicated to the complete arc of Cunningham’s career, Carrie Noland brings new insight to this transformative artist’s philosophy and work, providing a fresh perspective on his artistic process while exploring aspects of his choreographic practice never studied before.
Examining a rich and previously unseen archive that includes photographs, film footage, and unpublished writing by Cunningham, Noland counters prior understandings of Cunningham’s influential embrace of the unintended, demonstrating that Cunningham in fact set limits on the role chance played in his dances. Drawing on Cunningham’s written and performed work, Noland reveals that Cunningham introduced variables before the chance procedure was applied and later shaped and modified the chance results. Chapters explore his relation not only to Cage, but also Marcel Duchamp, Robert Rauschenberg, James Joyce, and Bill T. Jones. Ultimately, Noland shows that Cunningham approached movement as more than “movement in itself,” and that his work enacted archetypal human dramas. This remarkable book will forever change our appreciation of the choreographer’s work and legacy.

As the story goes, an itinerant preacher once visited the Bluegrass region and proclaimed heaven to be “a mere Kentucky of a place.” The Commonwealth’s first Baptists certainly thought so as they began settling the region a decade before statehood. By 1785 a group of pioneering preachers formed the Elkhorn Association, widely regarded as the oldest Baptist association west of the Alleghenies. Often portrayed in the historiography as the vanguard of a new frontier democracy, the Elkhorn Association, on closer inspection, reveals itself to be far more complex. In A Mere Kentucky of a Place, Keith Harper argues that the association’s Baptist ministers were neither full-fledged frontier egalitarians nor radical religionists but simply a people in transition. These ministers formed their identities in the crucible of the early national period, challenged by competing impulses, including their religious convictions, Jeffersonian Republicanism, and a rigid honor code—with mixed results.

With a keen eye for human interest, Harper brings familiar historical figures such as John Gano and Elijah Craig to life as he analyzes leadership in the Elkhorn Association during the early republic. Mining the wealth of documents left by the association, Harper details the self-aware struggle of these leaders to achieve economic wealth, status, and full social and cultural acceptance, demonstrating that the Elkhorn Association holds a unique place in the story of Baptists in the “New Eden” of Kentucky.

Ideal for course adoption in religious studies and students of Kentucky history, this readable work is sure to become a standard source on the history of religion on the Kentucky frontier.

Mergers and Productivity offers probing analyses of high-profile mergers in a variety of industries. Focusing on specific acquisitions, it illustrates the remarkable range of contingencies involved in any merger attempt. The authors clearly establish each merger's presumed objectives and the potential costs and benefits of the acquisition, and place it within the context of the broader industry. Striking conclusions that emerge from these case studies are that merger and acquisition activities were associated with technological or regulatory shocks, and that a merger's success or failure was dependent upon the acquirer's thorough understanding of the target, its corporate culture, and its workforce and wage structures prior to acquisition.

Sifting through a wealth of carefully gathered evidence, these papers capture the richness, the complexity, and the economic intangibles inherent in contemporary merger activity in a way that large-scale studies of mergers cannot.

Originally published in 1988, Mesa Verde National Park: Shadows of the Centuries is an engaging and artfully illustrated history of an enigmatic assemblage of canyons and mesas tucked into the southwestern corner of Colorado. Duane A. Smith recounts the dramatic 1888 "discovery" of the cliff dwellings and other Anasazi ruins and the ensuing twenty-year campaign to preserve them. Smith also details the resulting creation of a national park in 1906 and assesses the impact of more recent developments - railroads and highways, air pollution, and the growing significance of tourism - on the park's financial and ecological vitality. This revised and completely redesigned edition includes more than 50 illustrations and will be enjoyed by readers interested in environmental, Western, and Colorado history.

Dawn Powell was a gifted satirist who moved in the same circles as Dorothy Parker, Ernest Hemingway, renowned editor Maxwell Perkins, and other midcentury New York luminaries. Her many novels are typically divided into two groups: those dealing with her native Ohio and those set in New York. “From the moment she left behind her harsh upbringing in Mount Gilead, Ohio, and arrived in Manhattan, in 1918, she dove into city life with an outlander’s anthropological zeal,” reads a recent New Yorker piece about Powell, and it is those New York novels that built her reputation for scouring wit and social observation.

In this critical biography and study of the New York novels, Patricia Palermo reminds us how Powell earned a place in the national literary establishment and East Coast social scene. Though Powell’s prolific output has been out of print for most of the past few decades, a revival is under way: the Library of America, touting her as a “rediscovered American comic genius,” released her collected novels, and in 2015 she was posthumously inducted into the New York State Writer’s Hall of Fame.

Engaging and erudite, The Message of the City fills a major gap in in the story of a long-overlooked literary great. Palermo places Powell in cultural and historical context and, drawing on her diaries, reveals the real-life inspirations for some of her most delicious satire.

This year marks the golden anniversary of the Art Ensemble of Chicago, the flagship band of the Association for the Advancement of Creative Musicians. Formed in 1966 and flourishing until 2010, the Art Ensemble distinguished itself by its unique performance practices—members played hundreds of instruments on stage, recited poetry, performed theatrical sketches, and wore face paint, masks, lab coats, and traditional African and Asian dress. The group, which built a global audience and toured across six continents, presented their work as experimental performance art, in opposition to the jazz industry’s traditionalist aesthetics.

In Message to Our Folks, Paul Steinbeck combines musical analysis and historical inquiry to give us the definitive study of the Art Ensemble. In the book, he proposes a new theory of group improvisation that explains how the band members were able to improvise together in so many different styles while also drawing on an extensive repertoire of notated compositions. Steinbeck examines the multimedia dimensions of the Art Ensemble’s performances and the ways in which their distinctive model of social relations kept the group performing together for four decades. Message to Our Folks is a striking and valuable contribution to our understanding of one of the world’s premier musical groups.

The Parent-Child Home Program, a pre-preschool home visiting program, has grown greatly since the first edition of Messages from Home was published in 1988. This expanded and updated edition shows the continued success of this program-spearheaded by the late Phyllis Levenstein-which prepares at-risk children for school success, overcoming educational disadvantage.

Since The Parent-Child Home Program was founded in the 1960s, it has enriched the cognitive, social, and emotional school readiness of tens of thousands of children. The Program's methods, its theoretical underpinnings, and its impressive results are presented in detail. The success stories of both parents and children make inspiring reading. The combination of lively writing and data-driven scientific rigor give it both broad appeal and academic relevance.

Joel Schechter has rediscovered the funny and often politically-charged plays of the American Yiddish theatre of the 1930s. In Messiahs of 1933 he celebrates their satire, their radical imagination, and their commitment to social change. He introduces readers to the once-famous writers and actors—Moishe Nadir, David Pinski, Yosl Cutler, and others—who brought into artistic form their visions of peace, social justice, and satire for all.

Messiahs of 1933 greatly enlarges our understanding of Yiddish theatre and culture in the United States. It examines the innovative stage performances created by the Artef collective, the Modicut puppeteers, and the Yiddish Unit of the Federal Theatre Project. And it introduces to contemporary readers some of the most popular theatre actors of the 30s, including Leo Fuchs, Menasha Skulnik, and Yetta Zwerling. Throughout, it includes relevant photographs and contemporary comic strips, along with the first English-language publication of excerpts from the featured plays.

This critical bilingual anthology collects and contextualizes thirty-four primary writings of understudied revolutionary mexicana rhetors and social activists who published with presses within the United States and Mexico during the late nineteenth and early twentieth centuries—a time of cross-border revolutionary upheaval and change. These mexicana newspaperwomen leveraged diverse and compelling rhetorical strategies and used the press to advance the early feminist movement in Mexico and the U.S. Southwest; to define their rights and roles in and confront the hypocrisies of their societies’ patriarchal systems; to engage in important debates about education, women’s rights, and language instruction; and to protest injustices in society and construct possible solutions. Because these presses were in both Mexico and the United States, their writings offer opportunities to explore the concerns, struggles, and triumphs of mexicanas in both U.S. and Mexican cities and throughout the borderlands.
 
Mestiza Rhetorics is the first anthology dedicated to mexicana rhetors and provides unmatched access to mexicana rhetorics. This collection puts forward the work of mexicana newspaperwomen in Spanish and English, provides evidence of their participation in political and educational debates at the turn of the twentieth century, and demonstrates how the Spanish-language press operated as a rhetorical space for mexicanas.
 

Soon after winning the presidency in 1845, according to the oft-repeated anecdote, James K. Polk slapped his thigh and predicted what would be the "four great measures" of his administration: the acquisition of some or all of the Oregon Country, the acquisition of California, a reduction in tariffs, and the establishment of a permanent independent treasury. Over the next four years, the Tennessee Democrat achieved all four goals. And those milestones—along with his purported enunciation of them—have come to define his presidency. Indeed, repeated ad infinitum in U.S. history textbooks, Polk's bold listing of goals has become U.S. political history’s equivalent of Babe Ruth’s called home run of the 1932 World Series, in which the slugger allegedly gestured toward the outfield and, on the next pitch, slammed a home run.
            But then again, as Tom Chaffin reveals in this lively tour de force of historiographic sleuthing, like Ruth's alleged "called shot" of 1932, the "four measures" anecdote hangs by the thinnest of evidentiary threads. Indeed, not until the late 1880s, four decades after Polk’s presidency, did the story first appear in print.
            In this eye-opening study, Tom Chaffin, author, historian, and, since 2008, editor of the multi-volume series Correspondence of James K. Polk, dispatches the thigh-slap anecdote and other misconceptions associated with Polk. In the process, Chaffin demonstrates how the "four measures" story has skewed our understanding of the 11th U.S. president. As president, Polk enlarged his nation's area by a third—thus rendering it truly a coast-to-coast continental nation-state. Indeed, the anecdote does not record, and effectively obscures complex events, including notable failures—such as Polk's botched effort to purchase Cuba, as well as his inability to shape the terms of California's and the New Mexico territory's admission into the Union. Cuba would never enter the federal Union; and those other tasks would be left for successor presidents. Indeed, debates over the future of slavery in the United States—debates accelerated by Polk's territorial gains—eventually produced perhaps the central irony of his legacy: A president devoted to national unity further sectionalized the nation’s politics, widening geopolitical fractures among the states that soon led to civil war.
            Engagingly written and lavishly illustrated, Met His Every Goal?—intended for general readers, students, and specialists—offers a primer on Polk and a revisionist view of much of the scholarship concerning him and his era. Drawing on published scholarship as well as contemporary documents—including heretofore unpublished materials—it presents a fresh portrait of an enigmatic autocrat. And in Chaffin's examination of an oft-repeated anecdote long accepted as fact, readers witness a case study in how historians use primary sources to explore—and in some cases, explode—received conceptions of the past.

Does literature need the book? With electronic texts and reading devices growing increasingly popular, the codex is no longer the default format of fiction. Yet as Alexander Starre shows in Metamedia, American literature has rediscovered the book as an artistic medium after the first e-book hype in the late 1990s. By fusing narrative and design, a number of “bibliographic” writers have created reflexive fictions—metamedia—that invite us to read printed formats in new ways. Their work challenges ingrained theories and beliefs about literary communication and its connections to technology and materiality. Metamedia explores the book as a medium that matters and introduces innovative critical concepts to better grasp its narrative significance.

Combining sustained textual analysis with impulses from the fields of book history, media studies, and systems theory, Starre explains the aesthetics and the cultural work of complex material fictions, such as Mark Z.Danielewski’s House of Leaves (2000), Chip Kidd’s The Cheese Monkeys (2001), Salvador Plascencia’s The People of Paper (2005), Reif Larsen’s The Selected Works of T. S. Spivet (2009), and Jonathan Safran Foer’s Tree of Codes (2010). He also broadens his analysis beyond the genre of the novel in an extensive account of the influential literary magazine McSweeney’s Quarterly Concern and its founder, Dave Eggers.

For this millennial generation of writers and publishers, the computer was never a threat to print culture, but a powerful tool to make better books. In careful close readings, Starre puts typefaces, layouts, and cover designs on the map of literary criticism. At the same time, the book steers clear of bibliophile nostalgia and technological euphoria as it follows writers, designers, and publishers in the process of shaping the surprising history of literary bookmaking after digitization.